fair | ART BASEL HONG KONG 2013

May 23th through 26th, 2013
Hall 1, Booth C56. Hong Kong Convention and Exhibition Center
1 Harbour Rd, Hong Kong

For its participation in the first edition of Art Basel Hong Kong, LEO XU PROJECTS premieres a new photography-based project by Beijing-based young artist Chen Wei.

This new project includes an ongoing series of photographs Chen Wei initiated three years ago on a research in the youth cultures—that related to the music and life-style in particular—in Mainland China.

Continuing his exploration in possibilities of photography by breathing in elements from other disciplines as theatre, cinema, still-life painting, etc, Chen Wei has been producing a new body of works that is set primarily in club dance-floor and locations of parties—places and activities have barely been the subjects of Contemporary Chinese art. Starting with photographing an unlikely moment or some theatrically charged occasions in such cultures, Chen has been furthering his study and work to reveal the internal world of young Chinese who grow through the post-89 decades, say, the 1990s and early 2000, and who lived upon the imported and pirate cultural products as their resource of art and recreation, for instance, pirate music cassettes, CDs, DVDs, illegally translated literature and art publications.
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fair | FRIEZE NEW YORK 2013


Frieze New York
Randall’s Island, Manhattan
Booth B28

May 10th through 13th, 2013
Professional view May 9th, 2-9pm

 
LEO XU PROJECTS is proud to announce our participation in Frieze New York at Randall’s Island, running from May 10th through 13th, 2013. At booth B28, we will be presenting Beijing-based artist Liu Chuang’ssolo show. It features a selection of his recent works that explore the cultures of the Shenzhen and Guangdong region that are shaped by a large population of migrant workers.

LIU CHUANG, "Buying Everything On You", 2006-present, found objects, dimension variable

Liu Chuang’s work integrates social intervention with institutional critique to examine China’s immediate realities, particularly the Shanzhai—the phenomenon of piracy and plagiarism in mass manufacturing and culture. Working across disciplines from video, installation, architecture to performance, Liu uses banal ready-mades and intervention techniques with a subtle, wry sensibility and an awareness of absurdity.
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