LEO XU PROJECTS

November 25th through December 30th 2012

LEO XU PROJECTS is pleased to present the gallery’s first solo exhibition of Beijing-based painter Cui Jie. Featuring recent works from two different series, this exhibition explores the carefully composed elements of Cui Jie’s artistic sensibility. Comparing and contrasting both the artist’s architectural and figurative paintings, this exhibition presents the spectrum of painting she works across, to explore her means of creative production.

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September 7th through October 23rd, 2012

The first solo project of Michael Lin at LEO XU PROJECTS explores the artist’s interest in a dialogue between the graphic, medium and social context. Transforming his signature floral pattern painting typical of local aesthetics and tradition into extensive wallpaper covering contemporary gallery space, the show starts with ideas of artistic intervention with the architectural space and fengshui, and consequently evolves into a laboratory of print-making.

Raised in Taiwan, Lin (b. 1964 in Tokyo) lives between Brussels, Shanghai and Taipei. Lin creates paintings and site-specific installations that appropriate images and products from the regional cultures and histories, and reflect upon the quotidian reality shaped by today’s cultures and policies.

Michael Lin has been included in many international museum shows and biennales, for instance, “The Spectacle of the Everyday” (Biennale de Lyon, France, 2009), “Super Fengshui” (Ullens Center for Contemporary Art, Beijing, 2008), Moscow Biennial of Contemporary Art (Moscow, 2007), “Notre Histoire” (Palais de Tokyo, Paris, 2006), “Spring 2003″ (Palais de Tokyo, Site de Creation Contemporaine, Paris, 2003), “Bibliotherapy” (with Remy Markowitsch, Kuntsmuseum, Lucerne, 2003), “International:Liverpool Biennial” (Liverpool, 2002), “The Gravity of the Immaterial” (Total Museum, Seoul, 2002), 7th Istanbul Biennal (Istanbul, 2002), “The Gravity of the Immaterial” (Institute of Contemporary Art, Taipei, 2001), 49th Biennial of Venice, Taiwan Pavilion (Venice, 2001), “The Sky is the Limit” (Taipei Biennial, Taipei Fine Arts Museum, Taipei, 2000), etc. His recent solo exhibitions include “Model Home: A Proposition by Michael Lin” (Rockbund Art Museum, Shanghai, 2012), “Michael Lin: A Modest Veil” (Vancouver Art Gallery, Vancouver, 2010), “Michael Lin” (Kunsthalle Wien, Vienna, 2005), among many others.

September 7th through October 23rd, 2012

Beijing-based conceptualist Liu Chuang’s first solo presentation in Shanghai, this exhibition presents Liu’s latest series of works titled successively from “No.16″ to “21″. Centerpieces of the exhibition are site-specific installations that create a show in limbo where the artist challenges the norms of exhibition-making and spectator’s anticipation. Other works include a set of found books with hand-written stories by random readers.

Born in 1978 in Hubei, Liu Chuang produces works with subtlety and sensibility, which brings together institutional critique and social intervention. Liu has exhibited extensively at various institutions and galleries, among many others, “Image-History-Existence: Taikang Art Collection” (National Art Museum Of China, Beijing, 2011), “51m2:16 Emerging Chinese Artists” (Taikang space, Beijing, 2011), “CAFAM Biennale: Super-organism” (CAFA Art Museum, Beijing, 2011), “Moving Image In China:1988-2011″ (Minsheng Art Museum, Shanghai, 2011), “China Power Station” (Pinacoteca Giovanni e Marella Agnelli, Turin, 2010), “Studies & Theory” (Kwadrat, Berlin, 2010), “The Generational: Younger Than Jesus” (New Museum of Contemporary Art, New York, 2009).

June 3rd through to August 5th, 2012
VIP Reception June 3rd, 2012, 4-6pm

LEO XU PROJECTS is pleased to present “More” for the first solo presentation of Beijing-based photographer Chen Wei since 2009. Set across the gallery’s three floor, this exhibition features an extensive body of Chen Wei’s work from the recent few years. Exploring the development of his photographic practices, the show follows his previously complex cinematic and narrative pieces, to his present larger focus on the artist’s handcrafted quotidian objects within a more simplistic works evocative of theatrical sets and still life painting. Furthermore, this exhibition also provides a rare performative insight into Chen Wei’s experimental processes of artistic production.

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February 19th through April 8th, 2012

Artists: Jérôme Bel, Cheng Ran, Guo Hongwei, Hu Xiangqian, Li Qing, Liu Chuang, Mei Yuangui, Wolfgang Tillmans, Fred Tomaselli, Apichatpong Weerasethakul, Danh Vo, Yang Fudong, Zhou Haiying.

“Boy: A Contemporary Portrait” juxtaposes recent and commissioned new works by contemporary visual artists with a selection of works of contemporary dance, fashion photography and mid-20th century’s documentary photography, etc.

Boy, as Oxford Dictionary suggests, also refers to “a man, especially a young or relatively young one”. The first decade of the 21st century sees a transforming representation of men in different cultures, media and regions. This exhibition attempts to portray young men of the time and to redefine the manhood within a global context.

Since the early 1990s, celebrated German photographer Wolfgang Tillmans has been exploring—through his photographs and his involvement in publication—the range of gestures and physicality that have become the distinguishing characteristics of young men in visual culture. His wall installation on view comprises of eight representative photographs he made between 2000 and 2010. Through his signature way of display, the set of photographs constitutes a visual fiction in a first-person narrative that reveals the emotional, sensual and intellectual aspects of young men’s life. Intimate and earnest, French choreographer Jérôme Bel’s critically acclaimed “Cédric Andrieux” (2009) provides a choreographed account that portrays a contemporary dancer’s life and career and outlines the relationship between the performer and the dance as a medium.

The exhibition includes a series of male portraits that are multifaceted and conceptual. Beijing-based Liu Chuang’s “Buying Everything On You” (2007) assembles all the possessions he acquired from a passer-by, which are laid out on a plinth in a way reminiscent of taxonomical or criminal research. Danh Vo, a Vietnamese-born conceptual artist produced specifically for the show a gilded Bud Light beer packaging (“Bud Lite”, 2012) and makes it a metaphor for the experience of being a young man in the consumer culture. “Faith” (2006) a double-channel video installation commissioned for Liverpool Biennale 2006, continues the award-winning Thai filmmaker and video artist Apichatpong Weerasethakul’s experiment in visualizing a man’s innermost world. “Faith is a tender portrait of lost love and transformation. Surrounded by perpetual change and the fear of new memories replacing old, a man dreams for an eternal place, where the image of his loved ones can live on,” the artist comments. In his commissioned new work, Hangzhou-based video artist Cheng Ran filmed a lone man driving a car donned in flowers on a night journey. The piece references Derek Jarman’s film “Blue” and his diary “Modern Nature”, and pays homage to the late British filmmaker.

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December 3rd 2011 through February 5th 2012

Artists: Cui Jie, Li Shurui, Zhang Jungang & Li Jie

“Cui Jie, Li Shurui, Zhang Jungang & Li Jie” features recent works by Beijing-based Cui Jie and Li Shurui and Harbin-based duo Zhang Jungang & Lijie, and gives a perceptive account of the relationship between their life and contemporary landscape.

Known for her early works that question the truth in reality through unlikely marriage of images on canvas (for instance, an astronaut walking in Forbidden City, or a group of beauty queens posing for photo shoot in the Moon), Cui Jie has steered her focus to the study of forms and figure-ground relationship by a body of new paintings that magnify architectural details. Inspired by the multiple exposures in Orson Welles’ films, Cui painted a world composed of fragments from urban landscape and, in a few cases, layers of grids, lines and other graphic patterns. Though set in Beijing, subjects in her landscape paintings look like elsewhere in any possible contemporary cities, representing a sense of déjà vu and alienation.

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