SONGS FROM THE BIG CHAIRS
September 30th through October 31st, 2017
Closed on National holidays, October 1st through 8th.
Participants: Bu Bing, Chen Wei, Cheng Ran, Michael Lin, Liu Chuang, Liu Shiyuan, Liu Yichun, Wang Yan, Zhang Ke and more.
September 2011 to December 2017
Taus Makhacheva:
Second World, Third Attempt
November 10th through December 23rd, 2017
Opening reception: Friday, November 10th, 6-8pm
SONGS FROM THE BIG CHAIRS
September 30th through October 31st, 2017
Closed on National holidays, October 1st through 8th.
Participants: Bu Bing, Chen Wei, Cheng Ran, Michael Lin, Liu Chuang, Liu Shiyuan, Liu Yichun, Wang Yan, Zhang Ke and more.
AAAJIAO: USER, LOVE, HIGH-FREQUENCY TRADING
May 27th through July 22nd, 2017
Opening reception: Friday, May 26th, 6-8pm
“User, Love, High-frequency Trading” marks the second solo exhibition with the gallery by Shanghai and Berlin-based young new media artist aaajiao. Aaajiao, the artistic persona of Xu Wenkai, was first created as his internet handle. As a user of many websites, social media and applications, aaajiao has been exploring the notions about such role and new identities and personalities a user may assume through his or her operation of one specific medium. This two-year long research has crystalized into the exhibition “User, Love, High-frequency Trading”. It goes through multiple aspects—for instance, user’s alter ego, social media communication, and new economies driven by algorithms and networking of users—and arrives at a particular moment in current social and technological development, which has both resonated and contrasted with many of Sci-fi cinema and literature’s Ballardian or cyberpunk fantasies of an early 21st century.
Booth: 1-7-G3
June 12th through 18th, 2017
The gallery’s debut in LISTE – Art Fair Basel 2017 will feature a solo presentation by Copenhagen-based young Chinese female artist Liu Shiyuan.
Born in 1985 in Beijing, Liu Shiyuan lives and works in Copenhagen after having studied in New York and Beijing. Traveling and living between cities and across multiple cultures, Liu has developed an artistic sensibility to the new forms of language and expressions on cybersphere and its ensuing patterns of everyday communication across the globe. The works on view at the booth also underlines the nuances and influences of the new internet rhetoric between different regions and media.
Please fasten your seat belt as we are experiencing some turbulence
March 18th through April 30th, 2017
Opening reception: Friday, March 17th, 6-8pm
David Kordansky Gallery and Leo Xu Projects are pleased to present “Please fasten your seat belt as we are experiencing some turbulence”, a collaborative group exhibition held at Leo Xu Projects, Lane 49, Building 3, Fuxing Xi Road, Xuhui District, Shanghai. The show will be on view from March 18 until April 30, 2017. An opening reception will take place on Friday, March 17 from 6:00pm until 8:00pm.
Featuring artists from both of the galleries’ programs, Please fasten your seat belt as we are experiencing some turbulence will examine how a wide and heterogeneous array of aesthetic positions can reflect, refract, and bear witness to an uncertain state of global affairs. The exhibition will include work by Kathryn Andrews, Andrea Büttner, Chen Wei, Heman Chong, Sam Gilliam, Zach Harris, Evan Holloway, Rashid Johnson, Gabriel Lester, Li Qing, Liu Shiyuan, Pixy Liao, Jonas Lund, Tala Madani, Chris Martin, Torbjørn Rødland, Sissel Tolaas, Tom of Finland, Wei Jia, Ming Wong, and Betty Woodman.
Chen Wei’s solo exhibition “The Club” is to open on June 24, 2017 and runs until August 13, 2017 at Horsham Regional Art Gallery.
Being one of China’s leading artists exhibiting in London, New York, Melbourne and numerous cities across Europe, Chen Wei is presenting photographs and installations that fabricate a visual archive of Chinese club culture in Horsham, Australia. Curated by Elias Redstone, The Club explores an undocumented subculture, reflecting on wider social changes that have taken place in modern China.
Liu Shiyuan is selected to be included in the group exhibition .com/.cn, co-presented by the K11 Art Foundation and MoMA PS1. Co-curated by Klaus Biesenbach and Peter Eleey of MoMA PS1 in New York, this project is part of an ongoing research partnership of two institutions.
Frieze New York
Booth B23
Randall’s Island, Manhattan
May 5th through 7th, 2017
Preview: Thursday, May 4th, 2017
Located at booth B23, the gallery will be exhibiting a solo presentation of Shanghai-based artist Li Qing, who was recently shortlisted for the sixth edition of Prix Jean-Francois Prat (2017), a prestigious international contemporary art prize mainly focuses on painting.
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Group Exhibition: Body·Media II
Power Station of Art, Shanghai, China
April 29 through July 30, 2017
Artist aaajiao is selected along with other 23 artists/art groups from 12 countries to be included in the group exhibition “Body·Media II” at Power Station of Art, Shanghai, co-curated by Gong Yan (China) and Richard Castelli (France). The exhibition continues the theme of 2007’s exhibition Body Media, re-discusses the close ties between new media and body within the new era context totally revolutionized by advancing technologies. It contains installation, performance, photography, video, and other hard-to-be-defined art forms, introduces cross-disciplinary cooperative patterns and exceeds boundaries of interactive art exhibitions.
NSFW: Female Gaze June 21, 2017 Museum of Sex, New York, USA
Pixy Liao is participating in the group exhibition “NSFW: Female Gaze” at Museum of Sex on June 21.
NSFW: Female Gaze, co-curated by VICE Media’s Creators, showcases over 25 emerging female artists from various disciplines dedicated to powerful feminine narratives. From Instagram and GIF platforms to textile and photography, these artists bring a fresh, eclectic, and unconventional approach to sexuality.
Liu Chuang is selected to be included in the group exhibition “Chinese Summer” in Astrup Fearnley Museet, curated by Gunnar B. Kvaran and Therese Möllenhoff. The name Chinese Summeris a metaphor for the nation and art scene that have seen explosive growth over the last two decades.
Acknowledging the importance of cultural and artistic production in China that has taken its position on the global stage, Astrup Fearnley Museet is presenting 2 generations of artists in the large group exhibition of Chinese contemporary art.
Group exhibition: All happens after sunset…
MOCA Pavilion, Shanghai, China
April 22nd through May 25th, 2017
Artists aaajiao, Cheng Ran and Li Qing participate the group exhibition “All happens after sunset” at MOCA Pavilion, Shanghai, curated by Xⁿ Office, a contemporary art curating group launched by researcher of art history Penny Xu and artist Ni Youyu. The exhibition is also part of the first phase of MOCA’s 2017 “+Follow+” young artist group exhibition project, to follow young Chinese artists in their development, observing them as they mold through their early stages and blossom into maturity.
Art Basel Hong Kong Stand C20 Hong Kong Convention & Exhibition Center March 23rd through 25th, 2017 Preview Wednesday, March 22nd
Artist aaajiao is selected along with other 11 artists to be included in the group exhibition “Heart of the Tin Man” in M Woods Museum, Beijing, dedicated to the digital age. Heart of the Tin Man brings together works consciously revealing, investigating or subverting current Internet or technological practices. Drawn predominantly from the M WOODS Collection and the post-internet focus of co-founder Michael Xufu Huang, the exhibition includes virtual reality, digital mechanics, and interactive works to stimulate our senses of sight, smell, touch, and sound, and to register emotion within a contemporary world increasingly governed by algorithms, measurements, and marketing.
Leo Xu Projects and Art Project CZ co-presents
Group Exhibition: City of Stars
April 19th through June 19th, 2017
MINGO
No. 1690 Huaihai Road, Xuhui District, Shanghai
The collaborative group exhibition “City of Stars” between Leo Xu Projects and Art Project CZ runs from April 19th to June 19th, 2017. The exhibition aims to capture the nightlife and living experience in the former French concession area in Shanghai, and to project a broader encapsulation of the Chinese youth’s status quo. Artists on view include aaajiao, Chen Wei, Cheng Ran, Guo Hongwei, Li Qing and Liu Shiyuan.
Shanghai Project Chapter 2
Envision 2116
Exhibition: “Seeds of Time”
April 22 – July 30, 2017
Venues: Shanghai Himalayas Museum, Envision Pavilion, Zendai Zhujiajiao Art Museum
Artists aaajiao and Liu Chuang are invited by Shanghai Project to participate in the exhibition’s second chapter as researchers. Curated by Yongwoo Lee and Hans Ulrich Obrist, the Shanghai Project Chapter 2 exhibition ”Seeds of Time” will be inaugurated on April 22, 2017. Taking its title from the documentary of the same name, which shares the project’s call for action regarding the climate situation, the exhibition seeks to explore sustainability so as to better understand possible solutions for urgent environmental and social problems.
Pixy Liao’s solo show “Lady and Gentleman” is running at Galleri Vasli Souza, Malmö, Sweden from 24th of March through 22nd of April 2017.
Having studied photography at University of Memphis and lived in the States for over a decade, Liao is highly influenced by the style of New American Color Photography in her practices.Lady and Gentleman showcases the alternative possibilities of heterosexual relationships and inscribe how a man and a woman can exchange their roles and question the whole concept of “normal relationships”.
Past Skin
April 6 – September 10, 2017
MoMA PS1
22-25 Jackson Avenue, Queens
Long Island City, NY 11101
Cui Jie will participate in the group exhibition “Past Skin” at MoMA PS1, New York, running from April 6 to September 10, 2017. In today’s technological environment, we can style, extend, and broadcast ourselves at will, projecting into digital realms that in turn shape us. The six artists in ”Past Skin” take up science historian and cyber-feminist Donna Haraway’s provocation, “Why should our body end at the skin?,” testing the growing porosity between our bodies and habitats in a contemporary world where virtuality is ubiquitous and surreality is increasingly normalized. As much as we exert influence on our bodies and surroundings, the technologies that enable this influence also influence us. Details »