fair | FRIEZE NEW YORK 2014

GUO HONGWEI, Into the Void #3, 2014, collage on paper, 35.4 x 55 cm

Frieze New York
Randall’s Island, Manhattan
Booth B33
May 9th through 12th, 2014
Preview Thursday May 8th, 11am – 9pm

LEO XU PROJECTS is proud to announce our second participation in Frieze New York at Randall’s Island, running from May 8th through 12th, 2014. At booth B33, we will be exhibiting a solo project by Beijing-based young artist Guo Hongwei.

Entitled “Miss Oyu (Oyu-Sama)”, the presentation revisits the eponymous film by celebrated Japanese filmmaker Kenji Mizoguchi (1898–1956), which explores the relationship between affairs of the heart and the social mores that define a people and a time. Guo samples and reorganizes elements within each frame, creating space within space, introducing new perspective to the image. The result is a dual-channel video, a body of collages on paper, scrolls and sculptures, all involving characters and scenes identical to the original, but with varied narratives and altered concepts. Guo’s approach translates the love affairs of Miss Oyu into a transcendental psychoanalytic journey.

A representative figure of young generation of Chinese artist, Guo Hongwei produces paintings and collages that celebrate the form and the poetic in various disciplines and sciences. His new collage series appropriates contemporary classics from visual art, design to cinema, as his artistic means to explore recent changes in the making and thinking of art inspired by new media and technology.

Born in Sichuan in 1982 and currently based in Beijing, Guo Hongwei has shown solo exhibitions at: LEO XU PROJECTS, Shanghai (2013); Chambers Fine Art, Beijing (2012 and 2009), and New York (2012 and 2010). He has participated widely in group exhibitions, held at such venues as: Ullens Center for Contemporary Art, Beijing (2013); Yuan Space, Beijing (2013); Shanghai Biennale, Shanghai (2012); Duolun Museum of Modern Art, Shanghai (2012); James Cohan Gallery, New York (2011 and 2010), and Shanghai (2009); the Pacific Heritage Museum, San Francisco (2009); Today Art Museum, Beijing (2007); Shanghai Zendai MoMA, Shanghai (2006).

The artist will be present during the fair week. We look forward to greeting you at our booth.

Visit Artist Page for details and press on Guo Hongwei.

For further information on the project, please contact the gallery at info@leoxuprojects.com or +86-21-3461 1245.

GUO HONGWEI, Mihama-chō #2, 2014, collage on paper, 23.8 x 35.8 cm

GUO HONGWEI, Mihama-chō, Katsura Garden, 2014, collage on paper, 35.7 x 54.5 cm

2013年5月9日至12日
专业预览 5月8日,星期四,早11点至晚9点
弗里兹纽约艺术博览会(Frieze New York)
美国,纽约,曼哈顿,兰德尔岛
展位号:B33

LEO XU PROJECTS很荣幸地宣布我们将第二度参加弗里兹纽约艺术博览会(Frieze New York)。本次艺博会展场坐落于纽约的兰德尔岛(Randall’s Island),展期2014年5月8日至12日。届时我们将展出年轻艺术家郭鸿蔚的全新个展。我们展位号是B33。

题为《阿游小姐》,郭鸿蔚的新作重访了日本电影大师沟口健二(1898–1956)的同名电影。这部1951年的原作改编自谷崎润一郎小说《芦刈》,展示了人性、情爱、社会道德之间的冲突与其塑造的时代与个体的命运。郭鸿蔚以其惯常的拼贴技艺,对原作采样,解构并重新排列了电影中每一帧图像的内部元素,从而创造了空间中的空间、新的透视。最终的作品包括一部双频录像、一系列纸本拼贴、卷轴以及雕塑。它们与《阿游小姐》似曾相识,却在被模糊了的时代感和地理中,展开了新的叙事,转尔变成了一场内心精神分析的旅行。

作为中国年轻一代艺术家中的代表人物,郭鸿蔚之前以其探索形式美感与诗意的水彩和油画作品广为人知。该系列作品是对绘画媒介与博物馆学、科学图志等领域的比较研究。其风格化的排序、组合延伸进了其近期的拼贴系列中。郭鸿蔚对摄影、纸本、电影的拼贴创作挪用了来自当代视觉艺术、设计、电影等领域的经典作品,以其探索今天被新媒体、科技扩展的艺术创作、观念的全新外延。

郭鸿蔚于1982年生于四川,现生活、工作于北京。迄今为止,他的作品频繁出现在诸多国内外知名的美术馆、双年展、画廊中,如:尤伦斯当代艺术中心(北京,2013)、元空间(北京,2013)、上海双年展(上海,2012)、多伦现代美术馆(上海,2012)、James Cohan画廊(纽约,2010、2011;上海,2009)、太平洋传统博物馆(旧金山,2009)、今日美术馆(北京,2007)、证大现代艺术馆(上海,2006)等。

博览会期间,郭鸿蔚亦会在展位现场。

访问艺术家主页,了解更多关于郭鸿蔚的作品和媒体报道。

更多项目的信息,请联系画廊 info@leoxuprojects.com 或致电 +86-21-3461 1245。

GUO HONGWEI, Into the Void #1, 2014, collage on paper, 23.6 x 35.8 cm

Installation detail, Solo show "Miss Oyu", Frieze New York 2014, Booth B33

Installation view, Solo show "Miss Oyu", Frieze New York 2014, Booth B33

Solo show "Miss Oyu", Frieze New York 2014, Booth B33

offsite | A NEW BALLARDIAN VISION

CINDY SHERMAN, "Untitled", 1987

A NEW BALLARDIAN VISION
Organized by Leo Xu
June 29th through August 4th, 2017
Metro Pictures, New York, USA 
 
As a part of CONDO Complex New York, a gallery swap between New York galleries and national and international partners, Metro Pictures hosts Leo Xu’s two-part exhibition A New Ballardian Vision. The show brings together a selection of works that reflect recent social, technological and environmental developments through the lens of author J.G. Ballard’s (1930–2009) writings. Xu conceived the exhibition as two distinct chapters; the first features Metro Pictures artists Nina Beier, Camille Henrot, Martin Kippenberger, Oliver Laric, Robert Longo, Trevor Paglen, Jim Shaw and Cindy Sherman. The second chapter focuses on a younger generation of Chinese artists represented by Leo Xu Projects, including aaajiao, Chen Wei, Cheng Ran, Cui Jie, Li Qing, Liu Shiyuan and Pixy Liao.
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current | AAAJIAO: USER, LOVE, HIGH-FREQUENCY TRADING

aaajiao, Candy wrappers (twitter), 2017

AAAJIAO: USER, LOVE, HIGH-FREQUENCY TRADING

May 27th through July 22nd, 2017
Opening reception: Friday, May 26th, 6-8pm

“User, Love, High-frequency Trading” marks the second solo exhibition with the gallery by Shanghai and Berlin-based young new media artist aaajiao. Aaajiao, the artistic persona of Xu Wenkai, was first created as his internet handle. As a user of many websites, social media and applications, aaajiao has been exploring the notions about such role and new identities and personalities a user may assume through his or her operation of one specific medium. This two-year long research has crystalized into the exhibition “User, Love, High-frequency Trading”. It goes through multiple aspects—for instance, user’s alter ego, social media communication, and new economies driven by algorithms and networking of users—and arrives at a particular moment in current social and technological development, which has both resonated and contrasted with many of Sci-fi cinema and literature’s Ballardian or cyberpunk fantasies of an early 21st century.

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fair | LISTE – ART FAIR BASEL 2017

Booth: 1-7-G3
June 12th through 18th, 2017

The gallery’s debut in LISTE – Art Fair Basel 2017 will feature a solo presentation by Copenhagen-based young Chinese female artist Liu Shiyuan.

Born in 1985 in Beijing, Liu Shiyuan lives and works in Copenhagen after having studied in New York and Beijing. Traveling and living between cities and across multiple cultures, Liu has developed an artistic sensibility to the new forms of language and expressions on cybersphere and its ensuing patterns of everyday communication across the globe. The works on view at the booth also underlines the nuances and influences of the new internet rhetoric between different regions and media.

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past | PLEASE FASTEN YOUR SEAT BELT AS WE ARE EXPERIENCING SOME TURBULENCE

Please fasten your seat belt as we are experiencing some turbulence

March 18th through April 30th, 2017
Opening reception: Friday, March 17th, 6-8pm

David Kordansky Gallery and Leo Xu Projects are pleased to present “Please fasten your seat belt as we are experiencing some turbulence”, a collaborative group exhibition held at Leo Xu Projects, Lane 49, Building 3, Fuxing Xi Road, Xuhui District, Shanghai. The show will be on view from March 18 until April 30, 2017. An opening reception will take place on Friday, March 17 from 6:00pm until 8:00pm.

Featuring artists from both of the galleries’ programs, Please fasten your seat belt as we are experiencing some turbulence will examine how a wide and heterogeneous array of aesthetic positions can reflect, refract, and bear witness to an uncertain state of global affairs. The exhibition will include work by Kathryn Andrews, Andrea Büttner, Chen Wei, Heman Chong, Sam Gilliam, Zach Harris, Evan Holloway, Rashid Johnson, Gabriel Lester, Li Qing, Liu Shiyuan, Pixy Liao, Jonas Lund, Tala Madani, Chris Martin, Torbjørn Rødland, Sissel Tolaas, Tom of Finland, Wei Jia, Ming Wong, and Betty Woodman.

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news | CHEN WEI: THE CLUB AT HORSHAM REGIONAL ART GALLERY

Chen Wei, "Disco #1004", 2015

CHEN WEI: The Club
Horsham Regional Art Gallery, Horsham, Australia
24 June 2017 - 13 August 2017

Chen Wei’s solo exhibition “The Club” is to open on June 24, 2017 and runs until August 13, 2017 at Horsham Regional Art Gallery.

Being one of China’s leading artists exhibiting in London, New York, Melbourne and numerous cities across Europe, Chen Wei is presenting photographs and installations that fabricate a visual archive of Chinese club culture in Horsham, Australia. Curated by Elias Redstone, The Club explores an undocumented subculture, reflecting on wider social changes that have taken place in modern China.

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news | LIU SHIYUAN IN .COM/.CN AT K11

Group Exhibition: .com/.cn
K11 Art Foundation, Hong Kong 
21 March through 30 April 2017

Liu Shiyuan is selected to be included in the group exhibition .com/.cn, co-presented by the K11 Art Foundation and MoMA PS1. Co-curated by Klaus Biesenbach and Peter Eleey of MoMA PS1 in New York, this project is part of an ongoing research partnership of two institutions.

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fair | FRIEZE NEW YORK 2017

Li Qing, "Window · The Sea in the Museum", 2016-2017

Frieze New York
Booth B23
Randall’s Island, Manhattan
May 5th through 7th, 2017
Preview: Thursday, May 4th, 2017

Located at booth B23, the gallery will be exhibiting a solo presentation of Shanghai-based artist Li Qing, who was recently shortlisted for the sixth edition of Prix Jean-Francois Prat (2017), a prestigious international contemporary art prize mainly focuses on painting.
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news | AAAJIAO IN BODY MEDIA II AT PSA

Group Exhibition: Body·Media II
Power Station of Art, Shanghai, China
April 29 through July 30, 2017

 

Artist aaajiao is selected along with other 23 artists/art groups from 12 countries to be included in the group exhibition “Body·Media II” at Power Station of Art, Shanghai,  co-curated by Gong Yan (China) and Richard Castelli (France). The exhibition continues the theme of 2007’s exhibition Body Media, re-discusses the close ties between new media and body within the new era context totally revolutionized by advancing technologies. It contains installation, performance, photography, video, and other hard-to-be-defined art forms, introduces cross-disciplinary cooperative patterns and exceeds boundaries of interactive art exhibitions.

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news | PIXY LIAO IN NSFW: FEMALE GAZE AT MUSEUM OF SEX

 

NSFW: Female Gaze
June 21, 2017
Museum of Sex, New York, USA

Pixy Liao is participating in the group exhibition “NSFW: Female Gaze” at Museum of Sex on June 21.

NSFW: Female Gaze, co-curated by VICE Media’s Creators, showcases over 25 emerging female artists from various disciplines dedicated to powerful feminine narratives. From Instagram and GIF platforms to textile and photography, these artists bring a fresh, eclectic, and unconventional approach to sexuality.

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news | LIU CHUANG IN CHINESE SUMMER AT ASTRUP FEARNLEY MUSEET

Chinese Summer 
02 June 2017 – 10 September 2017
Astrup Fearnley Museet, Oslo, Norway
 

Liu Chuang is selected to be included in the group exhibition “Chinese Summer” in Astrup Fearnley Museet, curated by Gunnar B. Kvaran and Therese Möllenhoff.  The name Chinese Summeris a metaphor for the nation and art scene that have seen explosive growth over the last two decades.

Acknowledging the importance of cultural and artistic production in China that has taken its position on the global stage, Astrup Fearnley Museet is presenting 2 generations of artists in the large group exhibition of Chinese contemporary art.

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news | AAAJIAO, CHENG RAN, LI QING IN MOCA PAVILLION


Group exhibition: All happens after sunset…
MOCA Pavilion, Shanghai, China
April 22nd through May 25th, 2017

Artists aaajiao, Cheng Ran and Li Qing participate the group exhibition “All happens after sunset” at MOCA Pavilion, Shanghai, curated by Xⁿ Office, a contemporary art curating group launched by researcher of art history Penny Xu and artist Ni Youyu. The exhibition is also part of the first phase of MOCA’s 2017 “+Follow+” young artist group exhibition project, to follow young Chinese artists in their development, observing them as they mold through their early stages and blossom into maturity.

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fair | ART BASEL HONG KONG 2017

 
Art Basel Hong Kong
Stand C20
Hong Kong Convention & Exhibition Center
March 23rd through 25th, 2017
Preview Wednesday, March 22nd
 


news | AAAJIAO IN HEART OF A TIN MAN

aaajiao, “Email Trek”, 2016  
Group Exhibition: Heart of the Tin Man
June 20th through October 8th
M Woods Art Museum, D-06, 798 Art Zone
Beijing, China

Artist aaajiao is selected along with other 11 artists to be included in the group exhibition “Heart of the Tin Man” in M Woods Museum, Beijing, dedicated to the digital age. Heart of the Tin Man brings together works consciously revealing, investigating or subverting current Internet or technological practices. Drawn predominantly from the M WOODS Collection and the post-internet focus of co-founder Michael Xufu Huang, the exhibition includes virtual reality, digital mechanics, and interactive works to stimulate our senses of sight, smell, touch, and sound, and to register emotion within a contemporary world increasingly governed by algorithms, measurements, and marketing.

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news | AAAJIAO IN UNREAL. THE ALGORITHMIC PRESENT AT HEK

aaajiao,"Limited Landscape, Unlimited Floating", 2017

Group Exhibition: unREAL. The Algorithmic Present
Haus der elektronischen Künste, Basel, Switzerland
08 June through 20 August 2017 
 
 
Aaajiao is selected to be included in the group exhibition unREAL. The Algorithmic Present in House of Electronic Arts Basel. 
 
unREAL examines the complexity of our digital age, it is an exhibition that attempts to confront the digital present through the very means of technological intervention both as critical examination as well as alternative prospects. The twenty-four works in the exhibition by international artists underscore the often-hidden materiality of bits and bytes, bringing to the fore the algorithmic processes that constitute our digital present.

news | CITY OF STARS

 

Leo Xu Projects and Art Project CZ co-presents
Group Exhibition: City of Stars
April 19th through June 19th, 2017
MINGO
No. 1690 Huaihai Road, Xuhui District, Shanghai

 

The collaborative group exhibition “City of Stars” between Leo Xu Projects and Art Project CZ runs from April 19th to June 19th, 2017. The exhibition aims to capture the nightlife and living experience in the former French concession area in Shanghai, and to project a broader encapsulation of the Chinese youth’s status quo. Artists on view include aaajiao, Chen Wei, Cheng Ran, Guo Hongwei, Li Qing and Liu Shiyuan.

 

news | AAAJIAO AND LIU CHUANG IN SHANGHAI PROJECT CHAPTER 2

Shanghai Project Chapter 2
Envision 2116
Exhibition: “Seeds of Time”
April 22 – July 30, 2017

Venues: Shanghai Himalayas Museum, Envision Pavilion, Zendai Zhujiajiao Art Museum

 

Artists aaajiao and Liu Chuang are invited by Shanghai Project to participate in the exhibition’s second chapter as researchers. Curated by Yongwoo Lee and Hans Ulrich Obrist, the Shanghai Project Chapter 2 exhibition ”Seeds of Time” will be inaugurated on April 22, 2017. Taking its title from the documentary of the same name, which shares the project’s call for action regarding the climate situation, the exhibition seeks to explore sustainability so as to better understand possible solutions for urgent environmental and social problems.

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news | PIXY LIAO: LADY AND GENTLEMAN AT GALLERI VASLI SOUZA

PIXY LIAO, "Family sushi", 2011

Lady and Gentleman
24 March – 22 April 2017
Galleri Vasli Souza, Malmö, Sweden
 

Pixy Liao’s solo show “Lady and Gentleman” is running at Galleri Vasli Souza, Malmö, Sweden from 24th of March through 22nd of April 2017.

Having studied photography at University of Memphis and lived in the States for over a decade, Liao is highly influenced by the style of New American Color Photography in her practices.

Lady and Gentleman showcases the alternative possibilities of heterosexual relationships and inscribe how a man and a woman can exchange their roles and question the whole concept of “normal relationships”.

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news | CUI JIE IN PAST SKIN AT MoMA PS1

CUI JIE, S House #5, 2016

Past Skin
April 6 – September 10, 2017
MoMA PS1
22-25 Jackson Avenue, Queens
Long Island City, NY 11101

Cui Jie will participate in the group exhibition “Past Skin” at MoMA PS1, New York, running from April 6 to September 10, 2017. In today’s technological environment, we can style, extend, and broadcast ourselves at will, projecting into digital realms that in turn shape us. The six artists in ”Past Skin” take up science historian and cyber-feminist Donna Haraway’s provocation, “Why should our body end at the skin?,” testing the growing porosity between our bodies and habitats in a contemporary world where virtuality is ubiquitous and surreality is increasingly normalized. As much as we exert influence on our bodies and surroundings, the technologies that enable this influence also influence us. Details »

news | CHEN WEI: THE CLUB AT CCP MELBOURNE

CHEN WEI: The Club
March 24 – May 7, 2017
Opening: Thursday 23 March, 6–8pm
Centre for Contemporary Photography
404 George St, Fitzroy
Melbourne, Victoria 3065
Australia

Titled “The Club”, Chen Wei’s first institutional solo exhibition in Australia is to open on March 23, 2017 and runs until May 7 at Centre for Contemporary Photography, Melbourne.

Beijing-based artist Chen Wei’s practice actively blurs the boundaries between reality and fiction through the construction of carefully staged scenes and handcrafted objects. The Club – his first solo exhibition in a public institution in Australia – comprises a series of photographs and installations that fabricate a visual archive of Chinese club culture. Chen has meticulously recreated the architecture, interiors and culture of nightclubs to celebrate this previously undocumented subculture and to provide a commentary on wider social changes that have been taking place in China.

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news | CUI JIE IN THE NEW NORMAL: ART AND CHINA IN 2017 AT UCCA

The New Normal:Art and China in 2017
March 19–July 9, 2017 
Ullens Center for Contemporary Art (UCCA) 
798 Art District
No. 4 Jiuxianqiao Road, Chaoyang District
100015 BeijingChina 

What is the place of art in China today? Or rather, in a world where the underpinnings of the post-World War II consensus have come suddenly loose, a world whose most prosperous corners find themselves in thrall to sectarian populism, a world increasingly unable to deny the changes wrought to its ecosystem by the last hundred years of human emissions, and a world in which, despite it all, China continues to grow in output and influence, what is to be done?

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