Nina Canell

_____________________________________________________________________________________________________________________

BIOGRAPHY | SELECTED WORKS | RECENT EXHIBITIONS | SELECTED PRESS
_____________________________________________________________________________________________________________________

BIOGRAPHY

Nina Canell’s work, in general, deals with invisible energies made apparent. Inheriting core tenets from Fluxus, her work is situated somewhere between established, static sculpture and the performativity of natural events or occurrences. Her recent sculptures fragments or ‘cuttings’ from high voltage cables, which first emerged in her significant 2014 solo shows at Camden Arts Centre, London; Moderna Museet, Stockholm, and formed the core of her presentation at Art Basel, Hong Kong, have been perfectly described in a recent text from a show at the Dutch institution, Witte de With:

“The work of Nina Canell attempts to activate an intersection between humans, objects and events whereby a certain kind of material imagination might be articulated. A method of loosely combining found or unrelated materials is central to her practice. Triggering situations, they encourage us to think of a place where something can be shared, altered or set off in an unexpected direction. Nina Canell meditates upon the loss of information and energy that occurs during processes of transference in her sculptural constellation of stumps and cross-sections of telecommunication and power cables, each becoming sentences cut-off mid-flow or instances of material forgetfulness.”

Canell’s solo exhibitions include Leo Xu Projects, Shanghai (2016); Galerie Barbara Wien, Berlin (2016); Arko Art Centre, Seoul (2015), Moderna Museet, Stockholm (2014), Camden Arts Centre, London (2014), Baltic Centre for Contemporary Art, Newcastle (2014), Lunds Konsthall, Sweden (2014), Midway Contemporary Art, Minneapolis (2013), Hamburger Bahnhof, Berlin, (2012), Kunsthalle Fridericianum, Kassel (2011), Museum fur Moderne Kunst, Vienna (2010). Her work has also featured in major international group exhibitions, including La vie Moderne, 13th Biennale de Lyon; 18th Biennale, Sydney; La Triennale, Intense Proximity, Palais de Tokyo, Paris; On Line, Museum of Modern Art, New York; Liverpool Biennale, Tate Liverpool; Manifesta 7, Trentino-Alto Adige/Südtirol; 7th Gwangju Biennale, Gwangju. Canell’s work is held in major private and public collections worldwide and featured in monographs and publications.

Born Sweden, 1979, lives and works in Berlin.

Download the complete artist biography.

[back to top]

SELECTED WORKS

NINA CANELL, "Thins", 2015, Nails, magnet, Photograph Robin Watkins

NINA CANELL, "In Absence of Satin Ions (detail)", 2014, Chewing gum, fitted carpet, ioniser, plexi, underfloor heating carpet,
Photograph Robin Watkins

NINA CANELL, "Foam-Skin Insulated Jelly-Filled Vowel", 2016, Barbara Wien Galerie, Berlin, Installation view, Photograph Nick Ash

NINA CANELL, "Shedding Sheaths (B) (detail)", 2016, Fibre-optic cable sheaths, Photograph Nick Ash

NINA CANELL, "Tip of the Tongue", 2016, Dictaphone, bouncy ball, silicone, paper, tape, Photograph Nick Ash

NINA CANELL, "Shedding Sheaths (B) (detail)", 2016, Fibre-optic cable sheaths, Photograph Robin Watkins

NINA CANELL, "Shedding Sheaths (B) (detail)", 2016, Fibre-optic cable sheaths, Photograph Robin Watkins

NINA CANELL, "Brief Syllables (detail)", 2014, High voltage and telecommunication cables, steel, wood, Photograph Robin Watkins

NINA CANELL, "Free-Space Path Loss", 2014, Fingerprints and heat on copper, nails, Photograph Terje Östling / Lunds Konsthall

NINA CANELL, "Satin Ions", 2015, Arko Art Centre, Seoul, Installation view, Photograph Robin Watkins

NINA CANELL, "Shedding Sheaths (H) (detail)", 2015, Fibre-optic cable sheaths, Photograph Hyejin Park

NINA CANELL, "Shedding Sheaths (H) (detail)", 2015, Fibre-optic cable sheaths, Photograph Robin Watkins

NINA CANELL, "The Promise of Moving Things", 2014, le Crédac, Paris, Installation view, Photograph André Morin / le Crédac

NINA CANELL, "Treetops, Hillsides and Ditches", 2011, Mastic gum, logs, Photograph Robin Watkins

NINA CANELL, "Brief Syllable (Contagious) (detail)", 2014, Telecommunication cable, acrylic, concrete, Photograph Robin Watkins

NINA CANELL, "Perpetuum Mobile (25 kg)", 2009, Water, basin, ultrasound generator, concrete, Photograph Robin Watkins

NINA CANELL, "Flexions (detail)", 2016, Memory wire, pegboard, frequency generators, loudspeakers, cables,
electrical connectors, DC generators, relay-timers, proximity sensor, wood, steel,
Collaboration with Robin Watkins, Photograph Robin Watkins

NINA CANELL, "Near Here (1 Microsecond)", 2014, Photocopying toner, nylon, 1,000,000 volt during 1 microsecond,
Collaboration with Robin Watkins, Photograph Robin Watkins

NINA CANELL, "Melters", 2016, Fibre-optic cable sheaths, Photograph Nick Ash

NINA CANELL, "Soft Corner", 2013, Neon, copper, cable, 5000 volt, Photograph Mother’s Tankstation / Leo Xu Projects,
The Mud of Compound Experience, Leo Xu Projects in collaboration with Mother’s Tankstation, Hong Kong, 2016, Installation view

NINA CANELL, "Brief Syllable (Blue)", 2016, Telecommunication cable, acrylic, concrete,
Photograph Mother’s Tankstation / Leo Xu Projects, The Mud of Compound Experience,
Leo Xu Projects in collaboration with Mother’s Tankstation, Hong Kong, 2016, Installation view

NINA CANELL, "Telepath (detail)", 2013, Neon, copper, cable, 3000 volt, Photograph Robin Watkins

NINA CANELL, "Days of Inertia", 2015, Water, hydrophobic nano coat, stone tile, Photograph Robin Watkins

NINA CANELL, "Ode to Outer Ends", 2010, Wood, coconut, electromagnetic device, epoxy, Photograph Robin Watkins

NINA CANELL, "Halway Between Opposite Ends", 2013, Stick, saline, 4000 volt, Photograph Robin Watkins

NINA CANELL, "Halway Between Opposite Ends (studio)", 2013, Stick, saline, 4000 volt, Photograph Robin Watkins

NINA CANELL, "Affinity Units", 2012, Neon, stone, cable, 5000 volt, Photograph Robin Watkins

NINA CANELL, "Overcoming the Current Resistance", 2012, Neon, copper, cable, 152,000 volt, Photograph Robin Watkins,
Installation view at 18th Biennale of Sydney

NINA CANELL, "And So Entangled", 2012, Neon, cable, 5000 volt, Photograph Robin Watkins,
Installation view at 18th Biennale of Sydney

NINA CANELL, "And So Entangled", 2012, Neon, cable, 5000 volt, Photograph Robin Watkins

 

For more works and projects by the artist, download the portfolio in pdf.

[back to top]

RECENT SOLO EXHIBITIONS

“Reflexology”, Leo Xu Projects, Shanghai, China, 2016
“Foam-Skin Insulated Jelly-Filled Vowel”, Galerie Barbara Wien, Berlin, Germany, 2016
“Shedding Sheaths”, Unlimited, Art 47 Basel, Switzerland, 2016
“Satin Ions”, Arko Art Center, Seoul, South Korea, 2015
“Brief Syllable (Flat)”, Rond-Point Projects, Marseille, France, 2015
“Dimensions Withheld”, Daniel Marzona, Berlin, Germany, 2015
“Free-Space Path Loss”, Lunds Konsthall, Sweden, 2014
“Mid-Sentence”, Moderna Museet, Stockholm, Sweden, 2014
“Near Here”, Lulu, Mexico City, Mexico, 2014
“O Little Drops”, Mother’s Tankstation, Dublin, Ireland, 2013

“Stray Warmings”, Midway Contemporary Art, Minneapolis, USA, 2013
“Nina Canell & Rolf Julius”, Hamburg Bahnhof Museum für Gegenwart, Berlin, Germany, 2012
“Tendrils”, The Douglas Hyde Gallery, Dublin, Ireland, 2012

“Into the Eyes as Ends of Hair”, Cubitt Gallery, London, UK, 2012
“Ode to Outer Ends”, Kunsthalle Fridericianum, Kassel, Germany, 2011
“Matter of the Heart / Heart of the Matter”, Konrad Fischer Galerie / Galerie Barbara Wien, Berlin, Germany, 2011

RECENT GROUP EXHIBITIONS

“We Are The Centre For Curatorial Studies (Phase 1)”, Hessel Museum of Art, New York, USA, 2016
“Inflected Objects #2 Circulation – Otherwise, Unhinged”, Future Gallery, Berlin, Germany
, 2016
“A Thousand Horsepower”, Trinxet Factory, Barcelona, Spain
, 2016
“The Distance of a Day”, The Israel Museum, Jerusalem, Israel
, 2016
“Third Nature”, CCS Bard, New York, USA
, 2016
“The Mud of Compound Experience”, Mother’s Tankstation in collaboration with Leo Xu Projects, Hong Kong, China
, 2016
“Life Itself. On the question of what it essentially is; its materialities, its characteristics considering that the attempts to…”, Moderna Museet, Stockholm, Sweden, 2016
“Matter Fictions”, Museu Coleção Berardo, Lisbon, Portugal
, 2016
“Die Kräfte hinter den Formen / The forces behind the forms”, Galerie im Taxipalais, Innsbruck, Austria, 2016
“Accrochage”, Pinault, Punta della Dogana, Venice, Italy
, 2016
“FluxesFeverFuturesFiction”, Azkuna Zentroa, Bilbao, Spain, 2016
“Accueille-moi paysage”, Marcelle Alix, Paris, France, 2016
“La Vie Moderne”, 13th Biennale de Lyon, Lyon, France, 2015
“All Our Relations”, 18th Biennale of Sydney, Australia, 2012
“La Triennale – Intense Proximity” (curated by Okwui Envezor), Palais de Tokyo, Paris, France, 2012
“On Line: Drawing through the twentieth Century”, MoMA, New York, USA, 2010
“Touched”, Liverpool Biennale, Liverpool, UK, 2010

[back to top]

SELECTED PRESS

Artforum, “Nina Canell”, Text/Arthur Solway, P288, March 2017 [download pdf]
Lyon Biennale, “Nina Canell”, by Ralph Rugoff, September, 2015 [download pdf]
ArtAsiaPacific, “Satin Ions at Arko Art Centre”, by Jayoon Choi, May, 2015 [download pdf]
ArtReview, “Satin Ions at Arko Art Centre”, by Aimee Lin, May, 2015 [download pdf]
Bom Dia Boa Tarde Boa Noite/Arko Art Centre, “Satin Ions”, by Hyunjin Kim, May, 2015 [download pdf]
Artforum, “Mid-Sentence at Moderna Museet”, by Neringa Cerniauskaite, March, 2015 [download pdf]
Sternberg Press and Midway Contemporary Art, “Crosstalk (conversation)”, by Dieter Roelstraete & Monika Szewczyk, May, 2014 [download pdf]
Artforum, “Critic’s Picks”, Kate Sutton, March, 2014 [download pdf]
Lunds Konsthall, “Free-Space Path Loss”, by Chris Sharp, 2014 [download pdf]
Mother’s Tankstation, “O Little Drops”, by Rebecca O’Dwyer, 2013 [download pdf]
AMC Collezione Coppola in Solo, “Every Distance Is Not Near”, by Fionn Meade, No.3, 2012 [download pdf]
Frieze Magazine, “Into the Eyes as Ends of Hair”, by Martin Herbert, May 1, 2012 [download pdf]
Cubitt Gallery, “Sistine”, by Steven Connor, March, 2012 [download pdf]
Monopol Magazine, “Unter Strom”, by Silke Hohmann, May, 2011 [download pdf]
Distanz Verlag, “Under Destruction”, by Piper Marshall, April, 2011 [download pdf]
Kaleidoscope, “Nina Canell”, by Leah Whitman-Salkin, 2010-11 [download pdf]
Phaidon, “Creamier”, by Adam Szymczyk, May, 2010 [download pdf]
Tate Liverpool, “Touched – Liverpool Biennial”, by Peter Gorschlueter, 2010 [download pdf]

[back to top]

Published on November 6, 2016 10:32 am.

past | TAUS MAKHACHEVA: SECOND WORLD, THIRD ATTEMPT

Taus Makhacheva:
Second World, Third Attempt

November 10th through December 23rd, 2017
Opening reception: Friday, November 10th, 6-8pm

Published on November 8, 2017 1:56 am.

past | SONGS FROM THE BIG CHAIRS

SONGS FROM THE BIG CHAIRS

September 30th through October 31st, 2017
Closed on National holidays, October 1st through 8th.

Participants: Bu Bing, Chen Wei, Cheng Ran, Michael Lin, Liu Chuang, Liu Shiyuan, Liu Yichun, Wang Yan, Zhang Ke and more.
 

Published on September 30, 2017 5:55 pm.

offsite | A NEW BALLARDIAN VISION

CINDY SHERMAN, "Untitled", 1987

A NEW BALLARDIAN VISION
Organized by Leo Xu
June 29th through August 4th, 2017
Metro Pictures, New York, USA 
 
As a part of CONDO Complex New York, a gallery swap between New York galleries and national and international partners, Metro Pictures hosts Leo Xu’s two-part exhibition A New Ballardian Vision. The show brings together a selection of works that reflect recent social, technological and environmental developments through the lens of author J.G. Ballard’s (1930–2009) writings. Xu conceived the exhibition as two distinct chapters; the first features Metro Pictures artists Nina Beier, Camille Henrot, Martin Kippenberger, Oliver Laric, Robert Longo, Trevor Paglen, Jim Shaw and Cindy Sherman. The second chapter focuses on a younger generation of Chinese artists represented by Leo Xu Projects, including aaajiao, Chen Wei, Cheng Ran, Cui Jie, Li Qing, Liu Shiyuan and Pixy Liao.
Details »

Published on June 23, 2017 5:44 pm.

past | AAAJIAO: USER, LOVE, HIGH-FREQUENCY TRADING

aaajiao, Candy wrappers (twitter), 2017

AAAJIAO: USER, LOVE, HIGH-FREQUENCY TRADING

May 27th through July 22nd, 2017
Opening reception: Friday, May 26th, 6-8pm

“User, Love, High-frequency Trading” marks the second solo exhibition with the gallery by Shanghai and Berlin-based young new media artist aaajiao. Aaajiao, the artistic persona of Xu Wenkai, was first created as his internet handle. As a user of many websites, social media and applications, aaajiao has been exploring the notions about such role and new identities and personalities a user may assume through his or her operation of one specific medium. This two-year long research has crystalized into the exhibition “User, Love, High-frequency Trading”. It goes through multiple aspects—for instance, user’s alter ego, social media communication, and new economies driven by algorithms and networking of users—and arrives at a particular moment in current social and technological development, which has both resonated and contrasted with many of Sci-fi cinema and literature’s Ballardian or cyberpunk fantasies of an early 21st century.

Details »

Published on June 11, 2017 7:54 pm.

fair | LISTE – ART FAIR BASEL 2017

Booth: 1-7-G3
June 12th through 18th, 2017

The gallery’s debut in LISTE – Art Fair Basel 2017 will feature a solo presentation by Copenhagen-based young Chinese female artist Liu Shiyuan.

Born in 1985 in Beijing, Liu Shiyuan lives and works in Copenhagen after having studied in New York and Beijing. Traveling and living between cities and across multiple cultures, Liu has developed an artistic sensibility to the new forms of language and expressions on cybersphere and its ensuing patterns of everyday communication across the globe. The works on view at the booth also underlines the nuances and influences of the new internet rhetoric between different regions and media.

Details »

Published on June 11, 2017 1:53 am.

past | PLEASE FASTEN YOUR SEAT BELT AS WE ARE EXPERIENCING SOME TURBULENCE

Please fasten your seat belt as we are experiencing some turbulence

March 18th through April 30th, 2017
Opening reception: Friday, March 17th, 6-8pm

David Kordansky Gallery and Leo Xu Projects are pleased to present “Please fasten your seat belt as we are experiencing some turbulence”, a collaborative group exhibition held at Leo Xu Projects, Lane 49, Building 3, Fuxing Xi Road, Xuhui District, Shanghai. The show will be on view from March 18 until April 30, 2017. An opening reception will take place on Friday, March 17 from 6:00pm until 8:00pm.

Featuring artists from both of the galleries’ programs, Please fasten your seat belt as we are experiencing some turbulence will examine how a wide and heterogeneous array of aesthetic positions can reflect, refract, and bear witness to an uncertain state of global affairs. The exhibition will include work by Kathryn Andrews, Andrea Büttner, Chen Wei, Heman Chong, Sam Gilliam, Zach Harris, Evan Holloway, Rashid Johnson, Gabriel Lester, Li Qing, Liu Shiyuan, Pixy Liao, Jonas Lund, Tala Madani, Chris Martin, Torbjørn Rødland, Sissel Tolaas, Tom of Finland, Wei Jia, Ming Wong, and Betty Woodman.

Details »

Published on April 20, 2017 12:16 pm.

news | CHEN WEI: THE CLUB AT HORSHAM REGIONAL ART GALLERY

Chen Wei, "Disco #1004", 2015

CHEN WEI: The Club
Horsham Regional Art Gallery, Horsham, Australia
24 June 2017 - 13 August 2017

Chen Wei’s solo exhibition “The Club” is to open on June 24, 2017 and runs until August 13, 2017 at Horsham Regional Art Gallery.

Being one of China’s leading artists exhibiting in London, New York, Melbourne and numerous cities across Europe, Chen Wei is presenting photographs and installations that fabricate a visual archive of Chinese club culture in Horsham, Australia. Curated by Elias Redstone, The Club explores an undocumented subculture, reflecting on wider social changes that have taken place in modern China.

Details »

Published on April 19, 2017 6:30 pm.

news | LIU SHIYUAN IN .COM/.CN AT K11

Group Exhibition: .com/.cn
K11 Art Foundation, Hong Kong 
21 March through 30 April 2017

Liu Shiyuan is selected to be included in the group exhibition .com/.cn, co-presented by the K11 Art Foundation and MoMA PS1. Co-curated by Klaus Biesenbach and Peter Eleey of MoMA PS1 in New York, this project is part of an ongoing research partnership of two institutions.

Details »

Published on April 19, 2017 5:23 pm.

fair | FRIEZE NEW YORK 2017

Li Qing, "Window · The Sea in the Museum", 2016-2017

Frieze New York
Booth B23
Randall’s Island, Manhattan
May 5th through 7th, 2017
Preview: Thursday, May 4th, 2017

Located at booth B23, the gallery will be exhibiting a solo presentation of Shanghai-based artist Li Qing, who was recently shortlisted for the sixth edition of Prix Jean-Francois Prat (2017), a prestigious international contemporary art prize mainly focuses on painting.
Details »

Published on April 19, 2017 1:42 pm.

news | AAAJIAO IN BODY MEDIA II AT PSA

Group Exhibition: Body·Media II
Power Station of Art, Shanghai, China
April 29 through July 30, 2017

 

Artist aaajiao is selected along with other 23 artists/art groups from 12 countries to be included in the group exhibition “Body·Media II” at Power Station of Art, Shanghai,  co-curated by Gong Yan (China) and Richard Castelli (France). The exhibition continues the theme of 2007’s exhibition Body Media, re-discusses the close ties between new media and body within the new era context totally revolutionized by advancing technologies. It contains installation, performance, photography, video, and other hard-to-be-defined art forms, introduces cross-disciplinary cooperative patterns and exceeds boundaries of interactive art exhibitions.

Details »

Published on April 18, 2017 6:22 pm.

news | PIXY LIAO IN NSFW: FEMALE GAZE AT MUSEUM OF SEX

 

NSFW: Female Gaze
June 21, 2017
Museum of Sex, New York, USA

Pixy Liao is participating in the group exhibition “NSFW: Female Gaze” at Museum of Sex on June 21.

NSFW: Female Gaze, co-curated by VICE Media’s Creators, showcases over 25 emerging female artists from various disciplines dedicated to powerful feminine narratives. From Instagram and GIF platforms to textile and photography, these artists bring a fresh, eclectic, and unconventional approach to sexuality.

Details »

Published on April 18, 2017 2:49 pm.

news | LIU CHUANG IN CHINESE SUMMER AT ASTRUP FEARNLEY MUSEET

Chinese Summer 
02 June 2017 – 10 September 2017
Astrup Fearnley Museet, Oslo, Norway
 

Liu Chuang is selected to be included in the group exhibition “Chinese Summer” in Astrup Fearnley Museet, curated by Gunnar B. Kvaran and Therese Möllenhoff.  The name Chinese Summeris a metaphor for the nation and art scene that have seen explosive growth over the last two decades.

Acknowledging the importance of cultural and artistic production in China that has taken its position on the global stage, Astrup Fearnley Museet is presenting 2 generations of artists in the large group exhibition of Chinese contemporary art.

Details »

Published on April 18, 2017 2:38 pm.

news | AAAJIAO, CHENG RAN, LI QING IN MOCA PAVILLION


Group exhibition: All happens after sunset…
MOCA Pavilion, Shanghai, China
April 22nd through May 25th, 2017

Artists aaajiao, Cheng Ran and Li Qing participate the group exhibition “All happens after sunset” at MOCA Pavilion, Shanghai, curated by Xⁿ Office, a contemporary art curating group launched by researcher of art history Penny Xu and artist Ni Youyu. The exhibition is also part of the first phase of MOCA’s 2017 “+Follow+” young artist group exhibition project, to follow young Chinese artists in their development, observing them as they mold through their early stages and blossom into maturity.

Details »

Published on April 18, 2017 11:16 am.

fair | ART BASEL HONG KONG 2017

 
Art Basel Hong Kong
Stand C20
Hong Kong Convention & Exhibition Center
March 23rd through 25th, 2017
Preview Wednesday, March 22nd
 


Published on April 18, 2017 9:28 am.

news | AAAJIAO IN HEART OF A TIN MAN

aaajiao, “Email Trek”, 2016  
Group Exhibition: Heart of the Tin Man
June 20th through October 8th
M Woods Art Museum, D-06, 798 Art Zone
Beijing, China

Artist aaajiao is selected along with other 11 artists to be included in the group exhibition “Heart of the Tin Man” in M Woods Museum, Beijing, dedicated to the digital age. Heart of the Tin Man brings together works consciously revealing, investigating or subverting current Internet or technological practices. Drawn predominantly from the M WOODS Collection and the post-internet focus of co-founder Michael Xufu Huang, the exhibition includes virtual reality, digital mechanics, and interactive works to stimulate our senses of sight, smell, touch, and sound, and to register emotion within a contemporary world increasingly governed by algorithms, measurements, and marketing.

Details »

Published on April 17, 2017 4:56 pm.

news | AAAJIAO IN UNREAL. THE ALGORITHMIC PRESENT AT HEK

aaajiao,"Limited Landscape, Unlimited Floating", 2017

Group Exhibition: unREAL. The Algorithmic Present
Haus der elektronischen Künste, Basel, Switzerland
08 June through 20 August 2017 
 
 
Aaajiao is selected to be included in the group exhibition unREAL. The Algorithmic Present in House of Electronic Arts Basel. 
 
unREAL examines the complexity of our digital age, it is an exhibition that attempts to confront the digital present through the very means of technological intervention both as critical examination as well as alternative prospects. The twenty-four works in the exhibition by international artists underscore the often-hidden materiality of bits and bytes, bringing to the fore the algorithmic processes that constitute our digital present.

Details »

Published on April 17, 2017 2:59 pm.

news | CITY OF STARS

 

Leo Xu Projects and Art Project CZ co-presents
Group Exhibition: City of Stars
April 19th through June 19th, 2017
MINGO
No. 1690 Huaihai Road, Xuhui District, Shanghai

 

The collaborative group exhibition “City of Stars” between Leo Xu Projects and Art Project CZ runs from April 19th to June 19th, 2017. The exhibition aims to capture the nightlife and living experience in the former French concession area in Shanghai, and to project a broader encapsulation of the Chinese youth’s status quo. Artists on view include aaajiao, Chen Wei, Cheng Ran, Guo Hongwei, Li Qing and Liu Shiyuan.

 

Published on April 17, 2017 12:15 pm.

news | AAAJIAO AND LIU CHUANG IN SHANGHAI PROJECT CHAPTER 2

Shanghai Project Chapter 2
Envision 2116
Exhibition: “Seeds of Time”
April 22 – July 30, 2017
Venues: Shanghai Himalayas Museum, Envision Pavilion, Zendai Zhujiajiao Art Museum

 

Artists aaajiao and Liu Chuang are invited by Shanghai Project to participate in the exhibition’s second chapter as researchers. Curated by Yongwoo Lee and Hans Ulrich Obrist, the Shanghai Project Chapter 2 exhibition ”Seeds of Time” will be inaugurated on April 22, 2017. Taking its title from the documentary of the same name, which shares the project’s call for action regarding the climate situation, the exhibition seeks to explore sustainability so as to better understand possible solutions for urgent environmental and social problems.

Details »

Published on April 15, 2017 12:22 pm.

news | PIXY LIAO: LADY AND GENTLEMAN AT GALLERI VASLI SOUZA

PIXY LIAO, "Family sushi", 2011

Lady and Gentleman
24 March – 22 April 2017
Galleri Vasli Souza, Malmö, Sweden
 

Pixy Liao’s solo show “Lady and Gentleman” is running at Galleri Vasli Souza, Malmö, Sweden from 24th of March through 22nd of April 2017.

Having studied photography at University of Memphis and lived in the States for over a decade, Liao is highly influenced by the style of New American Color Photography in her practices.

Lady and Gentleman showcases the alternative possibilities of heterosexual relationships and inscribe how a man and a woman can exchange their roles and question the whole concept of “normal relationships”.

Details »

Published on March 24, 2017 5:38 pm.

news | CUI JIE IN PAST SKIN AT MoMA PS1

CUI JIE, S House #5, 2016

Past Skin
April 6 – September 10, 2017
MoMA PS1
22-25 Jackson Avenue, Queens
Long Island City, NY 11101

Cui Jie will participate in the group exhibition “Past Skin” at MoMA PS1, New York, running from April 6 to September 10, 2017. In today’s technological environment, we can style, extend, and broadcast ourselves at will, projecting into digital realms that in turn shape us. The six artists in ”Past Skin” take up science historian and cyber-feminist Donna Haraway’s provocation, “Why should our body end at the skin?,” testing the growing porosity between our bodies and habitats in a contemporary world where virtuality is ubiquitous and surreality is increasingly normalized. As much as we exert influence on our bodies and surroundings, the technologies that enable this influence also influence us. Details »

Published on March 3, 2017 5:29 pm.